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Permalink - Posted on 2020-03-10 19:41
Find your escape in our high-desert hidden gem, perched on the brink of untouched wilderness amidst enchantingly weathered boulders, ancient juniper, pinón and desert oak trees. The tranquility will envelop you as you take in the brilliant, fiery sunsets with a 360 degree view from our expansive wrap-around wood deck equipped with ample seating, pool (non heated) and jacuzzi (heated), and a propane grill. After the sun goes down, stay up all night stargazing (we recommend the Star Walk App!) or pull out the telescope for those who already know where to look. Or just soak in the hot tub and enjoy the profound silence. Making our way inside, the open floor plan abode features large windows and glass doors that afford guests with breathtaking views of the 20 acre surrounding high desert wonderland. The furniture and décor shows an eclectic mix of midcentury modern, Native American, and Bohemian elements. We comfortably sleep four, between one queen bed and another queen pullout sofa mattress. This is the only home on the property, so you will have the entire place to yourselves – the perfect retreat for anyone who simply wants to decompress in style and serenity. Great for couples, solo adventurers, and families alike! We are 100% off grid home. Fueled by solar energy, propane & water deliveries and occasionally back up generator in times of need.
Permalink - Posted on 2020-03-26 18:54
Willard Hall Francis, Architect The Francis Residence, 1952. Located on 3/5 of an acre in the highly-desirable Crestwood Hills neighborhood of Brentwood, this vintage mid-century modern home is preserved in time, cherished in its original condition and ready for the next steward to be brought lovingly into the new millennium. The open plan is organized around a central atrium, with floor-to-ceiling glass and clerestory windows bringing natural light into every room. A wood-burning fireplace warms the public spaces, and each room is articulated with old-growth redwood siding, authentic cabinetry and custom built-ins. Down to the last detail, the classic tile, antique hardware and rare light fixtures remain intact. While the large site with more than half an acre appears to provide ample room for additions, remodeling, a second story and even larger development opportunities, the existing home most likely qualifies for historic landmark registration and attendant property tax benefits. ALL PHOTOS COURTESY OF SUZY POLING
Permalink - Posted on 2020-03-26 18:53
REVEALING THE EVIDENCE Confrontation with the reality of these ruins was always a confrontation seeped in memories. Memories of a place where the raw matter it is constituted of - the rock, the valley and the mountain - shows evident expression, provoking a game of fine balance between place, matter, light and shadow. We found light that dripped down the stone walls defining spaces separated only by rows of stacked rock. In each fissure, in each wrinkle, a soft balance between light and shadow. Standing before this scenery, the exercise consisted in finding the most natural way to connect ruins and spaces, simultaneously defining future possibilities for links between the interior and the exterior. Where decisions were concerned, we chose to rehabilitate pre-existing volumes and introduce a new connecting element. The answer is given by the almost immediate decision to join together the pre-existing elements. This gesture, deeply connected to the terrain along the pendente – connects the two sections facing west, forming an exterior courtyard adorned with a centenary olive tree. This project builds a space that runs through the ruins, uniting them and revealing the obvious functional relationship between the house’s programmatic areas, simultaneously differentiating the possibilities for inhabiting the exterior space. It expresses its temporality through the antagonism of matter in its relationship with pre-existing elements.
Permalink - Posted on 2020-03-26 18:48
Thrilled with the beach town location of their summer house, but not with its loud ’90s-era architecture, a family approached Blue Truck Studio with a directive — tone it down. What they had: a house with wild geometry, such as octagon-shaped rooms and triangular spaces. What they wanted: a Sea Ranch aesthetic of simple forms. Blue Truck Studio created an all-new interior of calm, open spaces that flowed easily into one another. For the exterior, the firm reconfigured windows as well as the siding, which wrapped around the house to simplify its form and provide privacy. A pivot door and two large slider doors invite ample light inside while a driveway turned soccer pitch and slatted outdoor shower for hosing off after a trip to the beach reflect the family’s love of recreation and the outdoors.
Permalink - Posted on 2020-03-26 18:47
Proving that building on a budget doesn’t have to mean compromising on aesthetics, Uruguayan architecture practice Bercetche Estudio has completed the WS House, a single-family home on the outskirts of Montevideo. Built primarily with unpainted natural timber inside and out, the home takes on a minimalist design that highlights its simple palette of natural materials. A strong connection with the outdoors and access to natural light is also emphasized throughout the home. Located in the La Tahona neighborhood about a half-hour drive east from the capital, the WS House stands out from its suburban neighbors with its contemporary form comprising boxy, flat-roofed volumes of varying heights. Spanning an area of nearly 2,750 square feet, the home is shaped like a horseshoe that wraps around the main entrance. Oversized square pavers that lead from the road to the front door emphasize the geometry of the home, while the timber cladding is applied in both horizontal and vertical orientations for visual interest. The main entrance leads directly to the open plan living area, dining room and kitchen, which seamlessly connect to the outdoor terrace with a sunken circular pool through sliding glass doors. Flanking the main living areas are two bedroom wings: the master bedroom with an en suite bathroom is located on one side, and a secondary bedroom wing contains three flex rooms and two baths. Large windows let in ample natural light and views of the outdoors. “It is an easy-to-read house, built with sustainable and economical materials, which prove that with well-manipulated basic components, an expressive and energy efficient house can be made,” the architects explained. “[The house] shows great respect for the environment and, through a nice space distribution, takes advantage of it. Two opaque volumes separated from each other generates a permeable ‘in between’ that gives rise to all the common activities of the house.”
Permalink - Posted on 2020-03-24 21:35
The Kahua Kuili residence is a modern interpretation of the classic Hawai’i summer camp. In keeping with the firm’s design philosophy, the warm yet spacious retreat was designed with longevity in mind. Kahua Kuili incorporates centuries-old indigenous design elements paired with contemporary attitudes to create a residence that will remain relevant for generations to come. Located within the dry portion of the Kona Coast at the base of the large cinder cone Pu’u Kuili, the property offers expansive views of the Pacific Ocean and Kua Bay as well as mountain views of Hualalai. Previously the site of a working ranch, the transition to residence became an opportunity to return the majority of the landscape to its natural state: a mix of lava and bunch grasses. Inspired by traditional Hawaiian architecture, the 5,590-square-foot residence is composed of multiple structures that simultaneously provide privacy through their scattered arrangement and community through the open spaces between them. The camp-like retreat’s focal point is the main hale (Hawaiian for house), which provides a central gathering place for family and friends. The main hale opens to ocean views and the central, protected courtyard, enabling activity to flow easily between indoor and outdoor space, including to the adjacent pool and tiki bar. The bar/lounge area spills over into the pool, complete with multiple lounge chairs and breathtaking ocean views. A barbecue/luau area allows for gatherings of family and friends who can picnic under the comfort and shade of a magnificent kiawe tree. Deep roof overhangs define the transition between inside and outside and offer shelter from sun and rain. Outdoor spaces link the separate structures—guest quarters, studio, wash house, garage—to one another. The use of simple, durable materials, such as board-formed concrete, western red cedar, large sliding doors, operable wood ventilation louvers, and rope lashing help reinforce the camp-like aesthetic. Western red cedar was selected for its resistance to termites and dry rot as well as for the beautiful way it patinas with age. Natural stone cowboy walls surrounding the property help create a sense of privacy from nearby houses. The interiors, by Marion Philpotts, were designed in a comfortable, contemporary aesthetic with bright colors and retro elements that tie into the modern theme of the structure. The expansive cedar-clad kitchen features a breakfast bar, dining table, and state-of-the-art appliances. Tall ceilings, large windows, and grand sliding doors that open to the courtyard contribute to the casual ease of the house. Intimate spaces, which include cozy reading nooks and relaxing sitting areas, are scattered throughout the home. Kahua Kuili is the quintessential destination for relaxation, where one can unwind comfortably and in style, all while enjoying the natural climate and landscape of Hawaii. Project team Architect: Walker Warner Architects Interior Designer: Philpotts Interiors Landscape: David Y. Tamura Associates Builder: Maryl Construction Photography: Matthew Millman
Permalink - Posted on 2020-03-24 21:29
Situated on Bowen Island’s West Coast, the Collingwood Residence is located on a private 10 acre lot surrounded by forest. The home is divided into three buildings, connected by the glass breezeways, as an intentional separation of public and private spaces. The breezeways which separate the buildings afford views to the ocean as you approach the house. Social experiences are centered around the open kitchen, dining, and living space located in the central building, while the master and guest suites are located in the buildings to either side. Floor to ceiling sliding glass doors in the kitchen and dining spaces can be opened to extend the living space outdoors to the covered patio with views to the ocean. The local material selection is reflective of the home’s west coast setting: cedar shingles clad the exterior, while the natural stone grounds the home firmly on its site. The large cantilevered dual-pitch roofs with cedar soffits and exposed structure, reflect the traditional forms of the remote cabin, while they are given a contemporary feel with crisply detailed zinc fascias. The building is highly insulated and airtight to limit the need for energy usage throughout the year. Appliances were carefully selected for energy efficiency and low water consumption. Large low-e coated windows and overhangs are sited to maximize solar gain in the winter months whilst preventing overheating in the summer.
Permalink - Posted on 2020-03-24 21:21
Architects: Augusto Fernández Mas (K+A Diseño), Mauricio Miranda (MM Desarrollos), Mariel Esquivel and Cesar Cardoso. Construction: K+A Diseño Main Purveyors: MicMac, Solesdi y Venster. Interior decoration: TAI Arquitectura de Interiores Photography: Onnis Luque The linear black cabin was designed by the collaboration between Augusto Fernández Mas and Mauricio Miranda as a country house for a client with three specific demands: simple layout, low maintenance, and living quarters and public areas in one floor. RA.L7 is located within Rancho Avandaro Country Club in the outskirts of Valle de Bravo, an hour and a halve drive from Mexico City. It is a project that portrays a strong character form the outside but at the same time invites passersby to enter. In the inside, it offers a warm cabin like feeling that through its simplicity and windows facing the golf course, guides the view to the outside. The lower concrete volume ads a sense of solidity and stability to the house, and its layout divided by a garage open on both sides provides an invitation to enter. [ The project uses the topography of the terrain to its advantage, thus generating two volumes: the upper one which encloses the living and general public areas and the bottom one encompassing the garage, technical and service areas. The outside materials are Japanese style burnt wood (Shou-sugi-ban), Canadian darkened wood, concrete, and ceramic tiles (roof) that in turn evidence the simple lines of the design. The choice of materials demands close to null maintenance. The west façade, which faces the street, has dark wood symmetric divisions over the main interior hallway, creating privacy at an angle and almost unrestricted view when perpendicular to them. The purpose is to allow light into the house and permit the views to the equestrian club on the other side of the street while maintaining limited exposure to passersby’s. The east façade faces the golf course, thus there is an honest openness through all glass façade with sliding window doors and complemented with a glass-roofed terrace. In attention to the requested simplicity in the layout, the linear internal distribution has four rooms laid in a sequential manner culminating with living—room, dining-room and kitchen. One dramatic hallways communicates all areas in a straight line, adding to the simplicity of the design layout. With over 650 square meters of inside space, only one internal staircase was employed to communicate with the service areas and garage. There are two accesses to the house without stairs for the owner to comfortably access. In total, the terrain is 2,200 square meters of which ___ square meters were used for the house. There is a comforting feeling of warmth inside, but the same time opens up to go and enjoy the outside. It is to be lived inside wanting to be outside and, once outside, feeling invited to be protected inside. The linear and simple geometry of the house is soothed by the layout of the wood beams on the ceiling and the elegant and at the same time rough aspect of the wood floor and wood paneling on the walls. RA.L7 house is one of two recent projects done by the collaboration of Augusto Fernandez and Mauricio Miranda in Rancho Avandaro. Augusto Fernandez, through its K+A Diseño firm, is an active architect and constructor in Valle de Bravo with several country homes competed in the last years. Photography is by Onnis Luque.
Permalink - Posted on 2020-03-24 21:13
North of San Francisco, in Glen Ellen, a less populated part of the Napa wine country, the culture has been based on agriculture and was named for an original winery. Jack London made this his permanent home here in the early 1900s. Drawn by the land, London believed in the redemptive qualities of rural life. Less than an hour from the City, rolling hills covered with groves of oak trees surround the downtown. The strong agricultural history has affected the built environment here with many examples of barn like houses that are confusingly morphed between the two vocabularies. On the existing footprint of a 1950's ranch house, this family getaway evolved in response to a request for a retreat from their urban lifestyle. The atmosphere of a tack barn renovated into a bunk house on site inspired thoughts of a larger barn like typology for this main house of 3,900 square feet. The request from the client was to build in a consistent way within the rolling hills dappled with agricultural buildings. A simple, rectangular, two-story form emerged with an asymmetrical gabled roof. The shorter side of the roof faces the southwest sun and reduces heat gain to the structure. Fenestration is limited to this exposure as well and is organized like thin full height ventilation shutters that reference traditional barn building. The entry, a larger version of the vertical slit elements is recessed for shading. The fireplace and chimney, foreign to the barn typology, is displaced from the structure with glazed joints. The east side is more open to the view and morning sun. A continuous, building-sized assembly of steel sash glazing includes large sliding doors that pocket into the adjacent wall and open the kitchen to the rear terrace. The upper zone of the main space is void of windows and reminds one of the empty shell-like spaces of barns. A large vertical wood shutter located on the southeast gable end is aligned axially with an internal access through the plan on both levels. When open at both ends, prevailing breezes flow through the mass cooling it naturally. In order to leave the hillside intact and avoid grading, the form is excavated into the site uphill and cantilevered over it downhill. A steel grated bridge connects the upper sleeping level with the hillside and tack barn above. A minimal material pallet of reclaimed redwood, corrugated Corten steel and black steel sash windows combined with integral gutters, and lack of overhangs further the minimal feeling of the construction. Inside the singular materiality is continued via California Oak for floors wall and ceilings. Radiantly heated floors and minimal cooling provided only at sleeping areas, coupled with enhanced glazing, insulation and mechanical system efficiencies mitigate energy use. PROJECT TEAM Architecture : Faulkner Architects Contractor: Redhorse Constructors Civil Engineer: Adobe Associates Structural Engineer: CFBR Structural Group Mechanical Engineer: Sugarpine Engineering Electrical Engineer: Sugarpine Engineering Geotechnical Engineer: NV5 Landscape: Michael Boucher Landscape Architecture Lighting: Ken Fulk Interior designer: Ken Fulk Theatrical/AV: SoundVision Pool Engineer: Terracon Pool Consultant: Blue Revolution Construction Project Manager: Walker Construction Management Special Inspections: PJC & Associates CALGreen: Gilleran Energy Management Irrigation Design: Dickson & Associates Arborist: Bartlett Trees PHOTOGRAPHY Joe Fletcher Photography