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Permalink - Posted on 2019-08-20 19:15
The site has the typical challenges of many urban lots in Ho Chi Minh city: abutted by tall neighboring houses, small developable area relative to the clients’ program, and compromised access to daylighting and natural ventilation. Due to the height restriction, the house was pushed 1 level below the ground to accommodate the large program. In an effort to solve as many issues as possible, we proposed a concrete column system hidden inside the north and south concrete wall that face the neighbors, acting as the primary structure for the house and freeing up the space in-between. These concrete walls provide privacy to the clients and their family, and open up the east and west facade for views and outdoor-indoor connection. Because the column system extends continuously from the basement to the roof, the concrete beams spanning in-between can be moved vertically without any structural concerns. This flexibility also meant total discretion to determine the elevations of the upper floors--which we intended to take advantage of. By convention, the program is stacked floor-by-floor to maximize the usable area of a small lot which could result in monotonous and isolated spaces. We wanted to do just the opposite: visually and spatially connecting the different parts of the house together by splitting the floor plates, and then cascading them to create a multi-story atrium. In this space, life unfolds naturally; once a family member steps out of the bedroom, he/she will be in an all-connected “room”, and in the company of another member, whether that person is on the other side of the atrium or 2 levels above. In addition to spatial articulation, this atrium brings daylighting down to the basement, and--working with the 2 sunken gardens which are naturally filled with cool air--aids the stack effect by letting the hot air rises to the top. The temperature of the lower floors, as a result, becomes more comfortable. From the outside, Cascading House looks solid as a rock that provides sturdy shelter. The interior, however, feels as porous as a sponge soaking up natural light and air, and brings family members closer together--the qualities that make this house a home.
Permalink - Posted on 2019-08-20 19:03
A self-initiated, architect-led design-develop-build project, Tesseract house was not designed with a specific client in mind. Rather, it was conceived as a business case to prove that one can create great contemporary architecture that fulfills a demand in the marketplace, while demonstrating that unbridled creativity generates innovative and artful spaces, using conventional and readily available construction methods. All of this was accomplished without breaking the bank and with a typical budget for a house of this kind Located in Toronto’s western lakeside streetcar suburb, this single-family residence proves contextual while owing little to convention and serving as the antithesis to recent vernaculars. By simply and unconventionally engaging the immediate context this contemporary alternative has an impactful, yet unimposing outward presence. This geometry and the depth of experience from which the house derives its name is not provocatively innovative but nuanced, both simple and complex, revealing itself over time. All of this within the constraints of conventional local residential construction, the Tesseract House unapologetically desires to be more than just a place to live.
Permalink - Posted on 2019-08-20 18:48
Space in the Wall The thought process regarding the challenging tall and narrow structure centers around a space that flows through the building and functions as a light cone that allows daylight to pierce through all the way to the basement and a joint wall, made of exposed concrete in “board” configuration, divided into squares, separated from the exterior wall of the house, which is made of glass, and acts as an artistic, somewhat “Brutalistic” element the house, one half of a two-family dwelling on a 220 square meters lot, and 360 square meters built, is designed for 2 young families with 2 children each, each family has 2 floors, the first family has the ground floor (living room, kitchen, dining room and garden) and basement (bedrooms and pool). The second family has the first floor (bedrooms) and the top floor (living room, dining room and a garden balcony) The front of the building that faces the street is made with a combination of concrete, steel and wood. We’ve used these natural materials throughout the building. Stairs and banister from steel plates on the ground floor and a banister and counter-top with a sink out of steel grid on the first floor. the flooring is out of concrete, with the concrete wall “accompanying” the entire house. Wood beams in the kitchen, the ceiling, a vertical shading and the floor. The challenge to create a living space while using every available inch and maintaining privacy, while communicating with the residents who are design enthusiasts was completed with 2 modern villas, each with its own connection to the outside and with a unique and fashionable living space in the dense urban surrounding. Architect: Yulie Wollman Photography: Shai Gil
Permalink - Posted on 2019-08-19 19:56
- The client: I need a “toy store to store toys” - ji study: "We create a space that EVERYTHING IS A TOY !!" The project is intended for the youngest clients we have had: 3 and 5 years. These mini-clients do not demand great needs, only places, spaces, colors and imaginative experiences. That is why we decided to make the leap of designing the furniture that we were commissioned to make a “mega furniture” that in itself is the toy and also The toy box. We had a very interesting volume in one of the bedrooms of a building built in the 40's where we obtained the great advantage and opportunity to have a height of 4 meters free. This mega-furniture is based, in its concept, on a poplar wood fold that surrounds the space and creates volumes according to the places we wanted give them: - beds in line with nest beds below - stairs - yellow play tunnel with hemispheres and networks - benches - blackboards on walls and furniture - fun and sliding chairs - A desk table representing a sun - Lights like moons or stars - High and low storage In short, it is a space if a specific purpose, timeless and with the values of IMAGINE, DISCOVER, INVEST, UP, DOWN, SKIP... WE HAVE OFFERED YOU THE GAME TOOLS, NOW ARE THE CHILDREN WHO DECIDE HOW TO USE IT. They can sleep or jump They can climb, or play, or hide. They can paint or customize your furniture or walls They can write or save They can watch or play with their hands ....
Permalink - Posted on 2019-08-19 19:16
Located in the historic Oliver Cromwell Building, The W72nd penthouse inhabits the top three floors of the historic building in the Upper West Side of Manhattan. With commanding views of Central Park, it’s an awe-inspiring refuge from the frenetic pace of NYC. The clients, a financier and a tech entrepreneur, one from Pakistan and the other a Detroit native, longed for a cozy retreat to counterbalance their busy lifestyle. The fusion of two cultural backgrounds are apparent in the mixtures of textiles and material selections throughout the home. With two growing daughters and a steady stream of houseguests, the project aimed to accommodate their family as well as act as a secluded shelter away from city life. The space is first met with a glimpse of a stunning oak herringbone floors and steel circular staircase that connects all three floors and serves as the central backbone of the space. Facing the staircase is the main floor living and dining area perfectly framed as the home’s first introduction to the space. The area showcases an eclectic art collection and a library for the voracious literary appetite of the homeowners along with objects of curiosity from the client’s travels. Instantly eye-catching is the dining area which features a stunning dining table and leather chairs and flanked by a banquette covered with a custom Suki Cheema textile. Adjacent is a small media room punctuated by a bright red Ligne Roset couch. The tiered floor plates provided a challenge for maximizing space as each level gets increasingly smaller as you go up. The design team began to think like a shipwright to design unexpected built-ins that evoke the feeling of being in a sailboat in the sky. On the second floor, up the oak and steel staircase, is small office, a bedroom with two beds in a unique head-to-toe configuration surrounded by figured maple built-in storage looking to the prominent views of the penthouse’s towering over Manhattan. Also, on the second floor is a bathroom, a small kitchenette, and a gracious balcony that continues to overlook to the busy cityscape below. The open spaces of the circular stairwell continue up to the third-floor feature integrated fire shutters that slide down to create privacy for the whole second floor. Continuing up the stairs is a generous master bedroom and master bath. The master bathroom is class wall to wall in hand- made colored Moroccan tile juxtaposed with modern fixtures and fittings.