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This is a recording or our live Instagram demo on brush lettering with Amanda Reid. Follow along with a couple of smooth sheets of paper and your favorite brush and watercolors.
Amanda is a calligrapher based in Austin, TX, who specializes in modern calligraphy services for events and brands, custom hand-lettered jackets, and teaching others the joy of calligraphy and lettering. She is also the founder of @CalligraphersofColor on Instagram, an inclusive online community that celebrates diversity in the calligraphy industry.
I am a complete novice with calligraphy and was a little nervous about practicing. I was pleasantly surprised by how accessible Amanda made it, guiding us through a series of exercises and linking letters together. My two big takeaways were:
The practice felt very calming and meditative to me. I also appreciated Amanda's suggestions for how to incorporate brush lettering into your sketchbook or journals. You might enjoy using lettering titles for your pages or emphasizing meditative quotes or words. With the holidays, you could also try customizing gift tags or envelopes!
This is a recording of a live Instagram Demo from December 9, 2020, with Jess Greenleaf, founder of Colorado-based Greenleaf & Blueberry artisanal watercolors. Jess and her chemist husband, Matt, are passionate about art, adventure, and turning natural pigments into beautiful watercolors using a traditional muller-and-slab method.
We explored our brand new Calligraphy Palette collaborations, and shared a few more surprises we have in the works as well!
We’ve enjoyed sharing our love of books over the past few months and hearing your recommendations in return. While we would love to encourage everyone to go out and shop locally instead of ordering from Amazon, we recognize that in-person shopping isn’t the best option for everyone this year.
Fortunately, we’ve found an alternative that enables us to support local bookstores while offering the convenience of online shopping. Starting now, we’ll be sharing books we find inspiring on our own Bookshop.org store. With each order, you can choose to support a specific local bookstore (and they receive the full profit from the order). Otherwise, your order will contribute to an earnings pool that will be evenly distributed among independent bookstores. If you follow one of our links to Bookshop.org, you will also be supporting our business–we receive a small affiliate fee for each purchase.
I love how evergreens' shapes and silhouettes come into focus as deciduous trees lose their leaves.
Pine trees are such fun to paint, and I put together a little demo to share some techniques.
A few premixed shades of green can be useful, especially for sketching on the go. I often keep Sap Green and Perylene Green in my palette. A dark blue such as Indanthrone Blue or Indigo can help tint them darker, and a sienna such as Burnt Sienna, Transparent Red Oxide (which granulates), or the transparent Quinacridone Burnt Orange, can add earthy tones. Finally, Quinacridone Gold is a favorite of mine for bringing out highlights. We are excited to offer Daniel Smith tube paints, including all of these colors, in our shop!
I typically begin with the vertical trunk. Then, I load my brush with greens and work quickly from top to bottom, applying the paint with light, dancing strokes, and flicking little points up at the tips.
I used the R13 Rosemary Sable Synthetic blend brush for this demonstration. The sable carries a large amount of paint, and the synthetic gives it extra snap and a beautiful long point.
Alaskan artist Jill Richie (@jill.richie.art) creates connections between humans and the environment with her plein air studies. Here she tells us about her family quarantine art project, the importance of learning from your environment, and extolls the virtues of not being too fussy with supplies or results:
Human connections with the natural environment, both past and present, shape my lifestyle as an outdoor enthusiast and advocate, career as an archaeologist, and growing art practice. I grew up in Alaska, and after a decade of living abroad, I’m happy to be back in my home state with my husband and young daughters (one human, one husky).
My art practice is grounded in En Plein air – whether I’m in the backyard or the backcountry. I use watercolor and pen to gather details of the natural and cultural environments I recreate in, learn from, depend on, and turn ephemeral experiences into creative exercises and tangible artworks. I joke that I paint about one minute for each hour spent in nature - most of my art practice takes place between 3-30 minutes at a time - and I try not to be too precious about my supplies or resulting artworks. A little rain splatter, a squished mosquito, or dirt in my palette adds character!
The Pocket Art Toolkit is always in my bag – at the grocery store, on tops of mountains, on archaeological studies. It is the primary tool that has helped me overcome the “I don’t have _____ (time, supplies, skill, talent, etc.)” excuses, and allows me to create for a moment, in the moment. My sketchbooks are honored for their sentimental value over their artistic one, the opportunity to practice rather than produce, and create more than I consume. Lately, I’ve enjoyed experimenting with toned paper, white gouache, gel pens, and making my own inks from nature!
Since the pandemic started, my extended family spanning three generations and many thousands of miles have graciously participated in an art challenge in which we make artworks - a notebook scribble, wire sculpture, painting, photograph, any medium counts! - based on the prompt of the day. We each take turns coming up with prompts and relay our artistic interpretations in a group message. The process has been surprisingly hilarious, bonding, and motivating during these challenging times; I highly recommend it!
See more of Jill’s gorgeous sketchbook pages on Instagram.
So much of watercolor involves attention to shapes! I like to work from large to small shapes and often start painting the negative spaces between and around objects.
Focusing on shapes also frees me up to experiment with mixing colors wet-in-wet on my paper. I don't need to represent just what's in front of me, I can turn shadows into bright colors or flatten a shape entirely by using a solid tone. Art is about play.
As I work my way down to more detail, I use more precise marks and focus on final touches.
In this leaf sketch, I used four Daniel Smith pigments: Hansa Yellow Medium and Inandthrone Blue for the background, and Quinacridone Gold (such a great color for fall!) and Deep Scarlet for the leaves. I added final highlights with a white Gelly Roll pen, too!
Mike Daikubara (@mikedaikubara) is an urban sketcher, food lover, author, and industrial designer. He's also the author of Sketch Now, Think Later, an inspiring book where Mike takes you through his essential tools and techniques with an emphasis on how to work quickly.
In this demo recorded September 25, 2020, Mike shares his favorite tools and gives a demo sketch of "Super Fluffy Pancakes."
Learn more about Mike on his website.
Barbara Luel (@barbaraluel) is an architect and artist committed to sharing her love of making art with as many people as possible. After setting aside her art practice to focus on her career, she returned to it, rediscovering her passion for seeing the world through art. Barbara’s lively watercolors have a fresh spaciousness that speaks to her joyful love of architecture and urban sketching.
Barbara and I played with color and form and talked about how freeing it can be to create. In her own words, “Everybody is creative, is an artist and can draw and paint! And the more you do it, the better it feels, and the better your art will look.”
The ballpoint pen Barbara uses is a Mark’s Tokyo Edge.
Learn more about Barbara on her website.
I never tire of learning about inspiring artists using Art Toolkit supplies! Max Romey is an artist, videographer, and trail runner now sketching his way through Alaska. Read on about Max in his own words below.
Growing up dyslexic, I always questioned why I continuously fell further and further behind my classmates and why reading and spelling seemed to take me so long. Watercolors and sketching became my refuge and a way to share an idea without someone telling me I misspelled it. I had always dreamed of creating and sharing stories, and my sketchbook and camera became a way I could do that.
I have always looked up to my Grandmother, a painter who traveled worldwide with a little pallet and sketchbook. She would sketch everywhere she went, Norway, France, Indiana, Cape Cod, Antarctica, the Galapagos. As a little kid, I remember flipping through these sketchbooks for hours and soaking up these unforgettable watercolor impressions that brought these places to life. Not just the big scenes, but the little things only an artist would notice and add, like the spiral of a hermit crab or pages and pages of seal studies with the occasional mermaid. I liked the masters like Leonardo Davinci well enough, but I knew my Grandmother's sketches were my favorite paintings in the world from a really young age.
My Grandmother had pretty severe dementia toward the end of her life, and I have been taking a ton of solace in her sketchbooks. Now that I know how lines and washes go down, I feel like we share this whole language. I wish I could go back and sketch and ask her a million questions, but flipping through her sketchbooks is the next best thing. The lines and crosshatches don't make words, but they speak volumes.
For the most part, my process is simple. Make an outline with a pen and fill it in with watercolor. It gets more complicated, depending on where you are and how hard the weather wants to make it. Painting in rain, dust, mosquitoes, winter, boats, and occasionally helicopters provide their own challenges and make each painting unique. I am slowly learning little tricks like adding vodka in the water to keep it from freezing in Alaska’s nine-month winter.
In this recording of an Instagram Live from August 28th, 2020, Jane Blundell and share the Ultimate Sketching Palette, our latest collaboration. This compact, travel-ready palette includes two useful triads (each with a red, yellow, and blue).
The primary triad of Hansa Yellow Medium, Quinacridone Rose, and Ultramarine Blue provides bold, bright colors, while the earth triad of Goethite, Indian Red, and Cerulean Blue Chromium mixes a range of subtle textured hues.
Rounding out the palette is a set of colors perfect for sketching on the go. Quinacridone Gold is a warm yellow, Burnt Sienna is a ready-to-go brown, and Perylene and Sap Greens are excellent for foliage. Finally, Jane's Grey is useful for dark shadows, and Buff Titanium brings subtle color to sand, marble, and stones.
Learn more about Jane on her website.
Liz has developed a fast and spontaneous approach to watercolor sketching that feels personal and immediate. She brings passion and dedication to her sketch practice that she generously documents and shares via her inspiring blog, books, and workshops.
We talked about her book, 5 Minute Architecture, and used some of the techniques she's developed to sketch the Villa di Maser Palladio building in Italy.
Learn more about Liz Steel:
Sometimes you need just a little extra space to make precisely the shade you need. I carry a Mixing Palette to take my colors a little further, keeping the pans free from paint with the exception of adding a fun color or two in the smaller standard pans, like white gouache, and a black or neutral tint.
My palettes usually look this messy! Mixing colors is just so fun, putting together a little of this and a little of that. When it's time to go, I usually just close the lid and move on.
Coming back, the colors on my palette can be a starting point, often "palette grey." If I need some fresh space, I'll wipe them with a wet brush and towel.
See my workspace, favorite tools, and sketches from various expeditions. I also answer questions about the Art Toolkit supplies and reflect on developing a creative practice.
White gouache can be a fantastic tool for adding final highlights to sketches. It can make cat whiskers, snow, or sailboats pop right off the page, and I especially love working with it on toned paper.
Since watercolor and gouache are both water-based paints, you can mix them to create more opaque pastels. I like to add them to earth-tones for a range of sandstone and beach hues.
I've recently started experimenting with a white gel pen, too. It's perfect for creating really fine details, like the ribs on a very small feather. Drawing in those final brights feels a bit magical!
This is a recording of a live Instagram demo with nature journaling aficionado John (Jack) Muir Laws.
Jack is a naturalist, educator, and author, who helps people forge a deeper and more personal connection with nature through keeping illustrated journals and understanding science. His work intersects science, art, and mindfulness. In addition to Jack's artistic rigor and discipline, he also has a great sense of play and humor!
We sketched explored the structure and details of hummingbirds using this image as inspiration.
Learn more about Jack's work and his weekly events:
My friend Che Lopez and I explore the Pentel Pocket Brush Pen! This pen has a flexible bristle tip that comes to a beautiful fine point. It creates elegant calligraphic and dry-brush marks with rich black waterproof ink. The pen is refillable and includes two ink cartridges and is available now in our shop.
Che first introduced me to this pen years ago (I had to run out to get my own as soon I saw it 😆). In this demo, we tour some of our sketchbooks and explore the range of marks possible with this versatile tool.⠀
I especially love Che's tips for sketching faces, describing shadows "falling down faces like water down a waterfall." His enthusiasm and bold approach to art are inspiring: "Just make your mark!"⠀
We have summer reading on our minds! We'll be sharing inspiration from our bookshelf over the next few months and would love your recommendations.
Local Color by Mimi Robinson is a beautiful book that focuses on developing a sensitivity to the color of different environments. Her palettes explore the subtle variations in hue and temperature around the world and through the seasons.
Her book resonates with my experiences of traveling and painting as an expeditionary artist. Everywhere I paint, I strive to discover my “palette of place,” a unique vocabulary of color, climate, and experiences.
There's something meditative, too, about focusing on mixing color without concern of composition.
This practice of attention is what Lorene Edwards Forkner embraces with her captivating color explorations of her garden, and is the inspiration for our latest palette of place: the Garden in Bloom Palette.
Lara Call Gastinger is the chief illustrator for the published Flora of Virginia, a botanical reference manual containing 1300 of her original illustrations. I love how she manages to create paintings expressing her love for these plants with a high level of detail.
She shared her favorite tools and techniques with us while we explored painting the textures and colors of salad greens.
This live demo from Friday, June 12th is with Russ Roca from @pathlesspedaled! Russ creates vibrant, loose watercolors that capture a sense of the freedom felt riding a bike. We explored how our adventures (big and small) informed our studio art and painted a watercolor postcard together.
Russ Roca is a bicycling YouTuber who focuses on the non-competitive side of cycling and combines his many interests from watercolors to fly-fishing with riding a bike. What began as a way to have a digital break from the monotony of editing videos all day, watercolor has become a passion that he now incorporates into his bike tours.⠀
Learn more about Russ and his work: https://pathlesspedaled.bigcartel.com/.
A few links:
Chelsea is an artist and plant-lover who creates colorful and whimsical sketches and stationery. In our live demo, Chelsea shared ideas and techniques for painting sunflowers, as well as her approach to lettering.
A few links:
Che's specialties are watercolor and acrylics, where he often draws inspiration from his Chicano heritage to create bold, colorful work. His humor and discipline as an artist (and talent as a teacher!) also reflect his experience as a USA boxing coach—he owned a gym for ten years before closing to focus on painting and teaching!
In our demo, Che walks through his process as well as shares his favorite sketching tools.
Recording of a Live Instagram Demo with Symi Jackson of Rosemary & Co Brushes.
Recording of a Live Instagram Demo with Jess Greenleaf, founder of Greenleaf & Blueberry.