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A feed by Jason Kottke
Permalink - Posted on 2020-07-03 14:10
In a powerful video for the Movement For Black Lives, Daveed Diggs asks: “What, to My People, is the Fourth of July?”
What, to my people, is the Fourth of July? My people, who are failed every day by every country, sleepless in the long night, terrorized by fireworks, we who have cried salt baths for our kin.
Look at all we have borne for you: arms, armistice, the sweetest fruits, flesh of children hidden away from the ugly summer of their own blood — we are on the front lines. Help me, tell me, what do we tell the children of your Fourth of July? What is death to a daughter? What is river to a sea? Where is the country where my people are safe?
Ancestors set the table send dream mares in high supply. Too heavy, too spent, too hot to cook, no promise beyond the sparkly simple bombs. Keep your holiday, your hunger, the blood in your teeth. Police parade down streets, proud descendants of the slave patrol. Theater of denial, a propaganda pageant, and we are on the front lines all summer. My uncle can’t sleep and he was born free. And he ain’t never been.
The text performed by Diggs — written by Safia Elhillo, Danez Smith, Lauren Whitehead, W. Kamau Bell, Angel Nafis, Idris Goodwin, Pharoahe Monch, Camonghne Felix, and Nate Marshall — was inspired by Frederick Douglass’ July 5, 1852 speech, in which he asked, “What, to the American slave, is your Fourth of July?”
Fellow-citizens, pardon me, allow me to ask, why am I called upon to speak here to-day? What have I, or those I represent, to do with your national independence? Are the great principles of political freedom and of natural justice, embodied in that Declaration of Independence, extended to us? and am I, therefore, called upon to bring our humble offering to the national altar, and to confess the benefits and express devout gratitude for the blessings resulting from your independence to us?
Permalink - Posted on 2020-07-02 20:19
Optical Arts conceived this video as a “live action musical animation” of cups, plates, and glasses smashing and un-smashing accompanied by the toccata section of Johann Sebastian Bach’s famous organ piece, Toccata and Fugue in D Minor. I thought it was fully CGI at first (as The Morning News reported), but then I found the making of video on the project page and it’s not — they filmed all the glasses and dished smashing at extremely high speeds between 1000 and 5000 frames/second on Phantom cameras.
I don’t know about you, but this video is what it looks like inside my head lately. Smash smash smash! (via the morning news)
Permalink - Posted on 2020-07-02 18:12
October 31, 2000 was the last day all humans were together on Earth. That day, the rocket containing the crew of Expedition 1 lifted off from the Baikonur Cosmodrome in Kazakhstan and carried them to the International Space Station for a long-term stay. Fittingly, the mission left from the same launchpad that was used to launch Yuri Gagarin into space on April 2, 1961, which was the first time in history that all humans were not together on Earth. Ever since the Expedition 1 crew docked, there’s been an uninterrupted human presence on the ISS, which may continue until 2028 or 2030, by which time there may be humans on the Moon or Mars on a permanent basis. Will humans ever be only Earth-bound again?
BTW, I guess you could argue that the ISS isn’t really separate enough from Earth or that since regular commercial airplane flights began, humans have been separate from the Earth. You could also say that at any given time, thousands of people are in the air while jumping and therefore not on the Earth with the rest of us. I don’t find any of those arguments meaningful. Perhaps someday if space travel is more routine — “just popped up into orbit to visit my daughter” — and the human population is much more distributed, these same distinctions won’t hold, but for now the ISS is definitely apart from the Earth in a way that flying or jumping are not.
Permalink - Posted on 2020-07-02 15:58
A caste system is an artificial construction, a fixed and embedded ranking of human value that sets the presumed supremacy of one group against the presumed inferiority of other groups on the basis of ancestry and often immutable traits, traits that would be neutral in the abstract but are ascribed life-and-death meaning in a hierarchy favoring the dominant caste, whose forebears designed it. A caste system uses rigid, often arbitrary boundaries to keep the ranks apart, distinct from one another and in their assigned places.
Throughout human history, three caste systems have stood out. The lingering, millenniums-long caste system of India. The tragically accelerated, chilling and officially vanquished caste system of Nazi Germany. And the shape-shifting, unspoken, race-based caste pyramid in the United States. Each version relied on stigmatizing those deemed inferior to justify the dehumanization necessary to keep the lowest-ranked people at the bottom and to rationalize the protocols of enforcement. A caste system endures because it is often justified as divine will, originating from sacred text or the presumed laws of nature, reinforced throughout the culture and passed down through the generations.
The article is an adapted excerpt from her forthcoming book, Caste: The Origins of Our Discontents:
Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people — including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others — she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.
The Warmth of Other Suns is one of my favorite books I’ve read in the past decade, so I’m very much looking forward to her new one.
Permalink - Posted on 2020-07-02 14:12
A group of creative folks recently came together to produce a 40-day-long Big Read of Samuel Taylor Coleridge’s 18th century epic poem, The Rime of the Ancient Mariner. Readings on sections of the poem from people like Jeremy Irons, Tilda Swinton, Hilary Mantel, and Iggy Pop were paired with artworks from Marina Abramovic, William Kentridge, Cornelia Parker, and Yinka Shonibare. I was struck right off the bat by the first piece, Glenn Brown’s The Shallow End.
As one of the organizers, writer Philip Hoare, writes in The Guardian, Coleridge’s poem is particularly suited for the present situation, with its subject matter touching on isolation, plague, abolition, and the human impact on the natural world.
Roaring out of the radical 1790s, The Rime of the Ancient Mariner is a founding fable for our time. A fable must by definition revolve around an animal, and in Samuel Taylor Coleridge’s nightmare the slain albatross hangs around the fated sailor’s neck like a broken cross, an emblem of his sin against nature. It is all too relevant today, as a statement of isolation and despair: “Alone, alone, all, all alone, / Alone on a wide, wide sea!” Yet in that forlorn expression is great power; the power of art to change us.
You can watch the entire 41-minute read in this video (embedded above).
Permalink - Posted on 2020-07-01 19:35
From Federico Italiano, a thread of photographs of large construction sites that accidentally evoke post-apocalyptic feelings.
Permalink - Posted on 2020-07-01 17:29
In this hauntingly beautiful video, Jonna Jinton performs an ancient Nordic herding call called kulning to summon a herd of cows.
The herds grazed during the daytime, wandering far from the cottages, and thus needed to be called in each night. Women developed kulning to amplify the power of their voices across the mountainous landscape, resulting in an eerie cry loud enough to lure livestock from their grazing grounds.
One should always take caution when hanging out with someone kulning, as it can’t be done quietly. Rosenberg, who’s researched the volume of kulning, says it can reach up to 125 decibels — which, she warns, is dangerously loud for someone standing next to the source. Comparable to the pitch and volume of a dramatic soprano singing forte, kulning can be heard by an errant cow over five kilometers away.
(via moss & fog)
Permalink - Posted on 2020-07-01 13:42
From the creators the Daily Overview website that showcases beautiful & educational satellite imagery of Earth, comes a new book about the Earth’s changing landscape. Overview Timelapse: How We Change the Earth is a book of satellite imagery that shows how landscapes change over time due to things like volcanic eruptions, climate change, population growth, and massive construction projects.
With human activity driving this transformation faster than ever, visible signs can now be seen across the planet. With more than 250 new, mesmerizing images such as sprawling cities and the patterns created by decades of deforestation, this book offers a fresh perspective of change on Earth from a larger-than-life scale.
Here’s a layout from the book that shows the construction of the Beijing Daxing International Airport over the course of several years:
Permalink - Posted on 2020-06-30 23:37
From Aric Jenkins, a collection of articles on “how race continues to shape the design and infrastructure of American cities”. I’m interested to read Corinne Ramey’s piece on America’s Unfair Rules of the Road:
In the shadow of the bridge sits a small neighborhood called the West Side, where the asthma rate is more than four times the national average, and residents report a host of other health issues. Advocates say the thousands of trucks driving overhead spew harmful diesel emissions and other particulates into their community. The pollutants hover in the air, are absorbed into buildings and houses, and find their way into the lungs of neighborhood residents, who are primarily people of color. “It’s constant asthma problems on the West Side,” says Sharon Tell, a local resident.
And Un-Making Architecture from WAI Think Tank:
Buildings are never just buildings. Buildings respond to the political foundations of the institutions that fund, envision, and desire them. Buildings are physical manifestations of the ideologies they serve. Although a naively detached or romantic position may be able to render buildings as semi-autonomous artifacts capable of sheltering or enveloping space, this depoliticized attitude overlooks their historical and material relationship to regimes of violence and terror. Buildings can protect but they can also confine, instill fear, crush, oppress. Buildings can school, and foment hospitality but can imprison and torture. Buildings can be tools for ethnic segregation, cultural destruction and historical erasure. Buildings can reinforce the status quo and aide in the implementation of settler-colonial desires of expansionism. An anti-racist democratization of access is only possible through the decolonization of buildings and public spaces. Architects should be aware of the programs of the buildings they design and be held accountable for doing so.
Permalink - Posted on 2020-06-30 21:29
The director of the National Institute of Allergy and Infectious Diseases, Anthony Fauci, told a Senate committee today that the US could be heading towards 100,000 new reported cases of Covid-19 per day. 100,000 cases per day. Yesterday the US recorded about 40,000 new cases.
“It is going to be very disturbing, I will guarantee you that,” he said.
“What was thought to be unimaginable turns out to be the reality we’re facing right now,” Fauci said, adding that “outbreaks happen, and you have to deal with them in a very aggressive, proactive way.”
Fewer than 20 countries have recorded more than 100,000 cases in total. Canada, for instance, has confirmed about 106,000 Covid-19 cases since the outbreak began.
Public health and infectious diseases experts, who have been gravely concerned about the way the U.S. response has unfolded, concurred with Fauci’s assessment.
Bars and restaurants are reopening around the country without any serious effort to test/trace/isolate/support. In the absence of strident guidance from the federal government, people are worrying less about social distancing and wearing masks to protect others. As this guy says, it’s just a matter of math:
“It’s unfortunately just a simple consequence of math plus a lack of action,” said Marm Kilpatrick, an infectious diseases dynamics researcher at the University of California, Santa Cruz. “On the one hand it comes across as ‘Oh my God, 100,000 cases per day!’ But then if you actually look at the current case counts and trends, how would you not get that?”
Absolutely nothing has changed about the virus, so its spread is determined by pretty simple exponential growth.
Limiting person-to-person exposure and decreasing the probability of exposures becoming infections can have a huge effect on the total number of people infected because the growth is exponential. If large numbers of people start doing things like limiting travel, cancelling large gatherings, social distancing, and washing their hands frequently, the total number of infections could fall by several orders of magnitude, making the exponential work for us, not against us. Small efforts have huge results.
We’ve known for months (and epidemiologists and infectious disease experts have known for their entire careers) what works and yet the federal government and many state governments have not listened and, in some cases, have actively suppressed use of such measures. So the pandemic will continue to escalate in the United States until proper measures are put in place by governments and people follow them. The virus will not change, the mathematics will not change, so we must.
Graph at the top of the post via Rishi Desai.
Permalink - Posted on 2020-06-30 19:02
The Royal Academy of Arts and Google teamed up on a high-resolution scan of a copy of Leonardo da Vinci’s The Last Supper painted by his students. Even though the top part of the original is not depicted, this copy is said to be “the most accurate record of the original” and since the actual mural by Leonardo is in poor shape, this copy is perhaps the best way to see what Leonardo intended.
This version was made around the same time as Leonardo made his original. It’s oil paint on canvas, whereas Leonardo’s was painted in tempera and oil on a dry wall — an unusual use of materials — so his has flaked and deteriorated badly. It probably didn’t help that Napoleon used the room where the original hung as a stable during his invasion of Milan.
A zoomable version is available here. The resolution on this scan is incredible. The painting is more than 26 feet wide and this is the detail you can see on Jesus’ downcast right eye:
Wow. You can compare this painting to a high-resolution image of the original on the Haltadefinizione Image Bank or Wikimedia Commons. And you can learn more about the copy and how it relates to the original on the Royal Academy website.
The genius of Leonardo’s composition is much clearer in the RA copy. The apostles are arranged into four groups of three and there are many subtle interactions between the figures. Leonardo believed that gestures were very important in telling the story. He explained that the power of his compositions were such that “your tongue will be paralysed with thirst and your body with sleep and hunger before you depict with words what the painter shows in a moment”.
There are many elements in the copy which are more distinct that the original, such as the figure of Judas clutching his money bag and knocking over the salt. The landscape beyond the windows with its valleys, lakes and paths is well preserved in the copy, but has almost disappeared in the original. Leonardo’s use of colour was was greatly admired, but in the original the colours are very faded — Saint Simon on the extreme right clearly wears a pink cloak, but this is not visible in the original.
(via open culture)
Permalink - Posted on 2020-06-30 16:59
For his piece The 3 Weeks That Changed Everything in The Atlantic, James Fallows talked to many scientists, health experts, and government officials about the US government’s response to the pandemic. In the article, he compares the pandemic response to how the government manages air safety and imagines what it would look like if we investigated the pandemic catastrophe like the National Transportation Safety Board investigates plane crashes.
Consider a thought experiment: What if the NTSB were brought in to look at the Trump administration’s handling of the pandemic? What would its investigation conclude? I’ll jump to the answer before laying out the background: This was a journey straight into a mountainside, with countless missed opportunities to turn away. A system was in place to save lives and contain disaster. The people in charge of the system could not be bothered to avoid the doomed course.
And he continues:
What happened once the disease began spreading in this country was a federal disaster in its own right: Katrina on a national scale, Chernobyl minus the radiation. It involved the failure to test; the failure to trace; the shortage of equipment; the dismissal of masks; the silencing or sidelining of professional scientists; the stream of conflicting, misleading, callous, and recklessly ignorant statements by those who did speak on the national government’s behalf. As late as February 26, Donald Trump notoriously said of the infection rate, “You have 15 people, and the 15 within a couple of days is going to be down close to zero.” What happened after that — when those 15 cases became 15,000, and then more than 2 million, en route to a total no one can foretell — will be a central part of the history of our times.
But he rightly pins much of the blame for the state we’re in on the Trump administration almost completely ignoring the plans put into place for a viral outbreak like this that were developed by past administrations, both Republican and Democratic alike.
In cases of disease outbreak, U.S. leadership and coordination of the international response was as well established and taken for granted as the role of air traffic controllers in directing flights through their sectors. Typically this would mean working with and through the World Health Organization — which, of course, Donald Trump has made a point of not doing. In the previous two decades of international public-health experience, starting with SARS and on through the rest of the acronym-heavy list, a standard procedure had emerged, and it had proved effective again and again. The U.S, with its combination of scientific and military-logistics might, would coordinate and support efforts by other countries. Subsequent stages would depend on the nature of the disease, but the fact that the U.S. would take the primary role was expected. When the new coronavirus threat suddenly materialized, American engagement was the signal all other participants were waiting for. But this time it did not come. It was as if air traffic controllers walked away from their stations and said, “The rest of you just work it out for yourselves.”
From the U.S. point of view, news of a virulent disease outbreak anywhere in the world is unwelcome. But in normal circumstances, its location in China would have been a plus. Whatever the ups and downs of political relations over the past two decades, Chinese and American scientists and public-health officials have worked together frequently, and positively, on health crises ranging from SARS during George W. Bush’s administration to the H1N1 and Ebola outbreaks during Barack Obama’s. As Peter Beinart extensively detailed in an Atlantic article, the U.S. helped build China’s public-health infrastructure, and China has cooperated in detecting and containing diseases within its borders and far afield. One U.S. official recalled the Predict program: “Getting Chinese agreement to American monitors throughout their territory — that was something.” But then the Trump administration zeroed out that program.
Americans, and indeed everyone in the world, should be absolutely furious about this, especially since the situation is actively getting worse after months (months!) of inactivity by the federal government.
Permalink - Posted on 2020-06-30 14:05
This clip is from a 1947 French film about the imagined future of television called “Télévision œil de demain”. The film is based on a premise by science fiction author René Barjavel and directed by J.K. Raymond-Millet. It predicts not only handheld smartphone-like devices but also, with uncanny accuracy, the behavior that comes with them — like people walking around looking at screens, people on screens bumping into each other, oblivious screen users walking out in front of cars, etc. I mean, just look at this:
When wireless is perfectly applied the whole earth will be converted into a huge brain, which in fact it is, all things being particles of a real and rhythmic whole. We shall be able to communicate with one another instantly, irrespective of distance. Not only this, but through television and telephony we shall see and hear one another as perfectly as though we were face to face, despite intervening distances of thousands of miles; and the instruments through which we shall be able to do his will be amazingly simple compared with our present telephone. A man will be able to carry one in his vest pocket.
And also from Mark Sullivan (1953):
In its final development, the telephone will be carried about by the individual, perhaps as we carry a watch today. It probably will require no dial or equivalent, and I think the users will be able to see each other, if they want, as they talk.
Permalink - Posted on 2020-06-29 16:17
For the past 10 years now, NASA’s Solar Dynamics Observatory (SDO) has been capturing an image of the Sun every 0.75 seconds. To celebrate, NASA created this 61-minute time lapse video of all ten years, with each second representing one day in the Sun’s life. They have helpfully highlighted some noteworthy events in the video, including solar flares and planetary transits.
12:24, June 5, 2012 — The transit of Venus across the face of the Sun. Won’t happen again until 2117.
13:50, Aug. 31, 2012 — The most iconic eruption of this solar cycle bursts from the lower left of the Sun.
43:20, July 5, 2017 — A large sunspot group spends two weeks crossing the face of the Sun.
See also Gorgeous Time Lapse of the Sun.
Permalink - Posted on 2020-06-29 13:33
On July 1, the USPS is introducing a set of four stamps celebrating hip hop. The stamps were designed by Antonio Alcalá based on photographs by Cade Martin. In an interview with Steven Heller, Alcalá explained how he thought about the design process:
Hip Hop has a long and rich history, and from the start, I knew I wouldn’t be able to represent its totality in one set of stamps. But because it is such an important part of our nation’s art, and one of our most significant cultural contributions to the world, I knew we needed to at least begin representing it somehow. Hip Hop has four widely recognized key elements, or “pillars”: Rap, DJs, Graffiti, and B-boying (known more broadly as break-dancing). Using contemporary images that quickly and accurately depict the genres eased the burden of having to represent the many histories within the subject.
You can preorder the hip hop stamps on the USPS website.
Permalink - Posted on 2020-06-28 13:44
In an opinion piece for the NY Times, Caroline Randall Williams writes You Want a Confederate Monument? My Body Is a Confederate Monument. I’ve never read an opening like this; I could barely continue:
I have rape-colored skin. My light-brown-blackness is a living testament to the rules, the practices, the causes of the Old South.
If there are those who want to remember the legacy of the Confederacy, if they want monuments, well, then, my body is a monument. My skin is a monument.
Only the truth is so devastating. Please read the entire essay. Williams will be reading this essay on Instagram on Tuesday, June 30 at 7pm ET — I’ll be there. And I just bought her book, Lucy Negro, Redux: The Bard, a Book, and a Ballet.
Permalink - Posted on 2020-06-26 22:24
Dylan Tallchief created a complete digital music studio app in Excel and in this video, he demonstrates how he used his spreadsheet program to recreate a-ha’s Take On Me. You can listen to the whole song here:
Permalink - Posted on 2020-06-26 19:58
For her series Counternarratives, artist and media critic Alexandra Bell takes newspaper articles and layouts from the NY Times that demonstrate racial bias and fixes them. For example, Bell took the notorious double profile of Michael Brown and his killer Darren Wilson and placed the focus entirely on Brown:
In this video, Bell explains her process:
I think everything is about race. Black communities, gay communities, immigrant communities feel a lot of media representations to be inadequate, biased. There’s a lot of reporting around police violence and black men, and I realized a lot of the arguments that we were having were about depictions. I started to wonder how different would it be if I swapped images or changed some of the text.
See also Kendra Pierre-Louis’ recent article for Nieman Lab: It’s time to change the way the media reports on protests. Here are some ideas.
Permalink - Posted on 2020-06-26 14:19
My God, this aerial photo of dozens of recent graves in the Nossa Senhora Aparecida cemetery in Manaus, Brazil:
The photo is one of several from In Focus’s look at the Thousands of Burials Across Latin America. Brazil has 1.2 million confirmed Covid-19 cases, second most in the world (but only half the total of the US) and 55,000 confirmed deaths, though the number is likely much higher when you take excess mortality rates into account. Way back in April, when the reported death toll in Brazil was only (only!) ~3300, NPR reported on the mass graves and modified funeral procedures that were necessary due to Covid-19 and the Brazilian government’s disastrous response to it.
Yet the coronavirus has introduced a new kind of horror. The Nossa Senhora Aparecida cemetery has begun using backhoes to dig mass graves.
This has become “the only option” because it is “humanly impossible” to dig the required number of graves, says Viana, who runs a funeral company and is president of the Syndicate of Funeral Businesses in Amazonas.
According to Viana, the city’s daily average of deaths has risen from 30 to more than 100. The mayor’s office confirmed to NPR that there have been 340 burials just in the past three days. In most cases, the cause of death was listed as unknown, said a city hall spokeswoman.
City authorities are in little doubt that COVID-19 victims account for most of the spike. This means the virus is taking a far deadlier toll on Manaus than the official count of 172 virus-related deaths suggests. The reported death toll throughout Brazil is 3,313.
Video footage has appeared online showing the collapse of Manaus’ burial services and public hospitals. In one, corpses lie on beds in a hospital alongside live patients undergoing treatment. Another shows a line of vans waiting to deliver bodies for burial at the Nossa Senhora Aparecida cemetery.
The many layers of trauma from the pandemic are going to resonate for decades in places like Brazil and the US. Decades.
Permalink - Posted on 2020-06-25 22:37
Season four of The Handmaid’s Tale is coming to Hulu in 2021. I found season 3 to be increasingly outlandish — not in terms of the depicted fascist policies and behaviors of Gilead (Atwood has stated that in her books & the TV series, all events have a precedent) but just in terms of “How the hell is June still alive and working in Gilead?!” Also, the use of closeups of Elisabeth Moss’s facial expressions to convey emotion was overused to the point of cliche. But I will definitely give season four a shot, especially now that we know where the series is ultimately headed.